Happy Holidays!

Nov. 17th, 2025 06:25 pm
calliopes_pen: (my bloody valentine Edith hat smile)
[personal profile] calliopes_pen posting in [community profile] holiday_wishes
This will be my third year participating in Holiday Wishes!

1. Dreamwidth points and/or more premium paid time would be fantastic. If provided with the former, then I can obtain the latter myself.

2. Recommendations for any new gothic horror/gothic romance films that may have been released in the last two or three years. If it’s a Dracula adjacent film, then in all probability I may have seen it. I adored Nosferatu (2024). I am aware of Frankenstein (2025), and should be watching it soon.

3. Please consider donating to your local animal shelter, or even just volunteering.

4. Fan art inspired by any of the Dracula fanfic I’ve written over the years would be amazing.

5. An icon with my username on it, similar to what I use for my default icon, for Nosferatu (2024), Legend (1985), or House of Dark Shadows (1970).

Thank you so much advance, and may you have a happy holiday season!

Happy hollidays!!

Nov. 17th, 2025 08:59 pm
overmore: (Default)
[personal profile] overmore posting in [community profile] holiday_wishes
Hello, name's Blue! Happy to participate here again!

1. Kudos and comments on my fics! I write for Identity V and Limbus Company.

2. Steam gift cards! I like getting random small games that get my interest when I read about them, but I don't often have the money to spend. I'm also hoping for at least 10 euros as the main game I play, Limbus Company, is gonna have new season on 31st December and I'd like to get the battle pass early if possible. Let me know if you'd like to do this since I'm not familiar with how this works on Steam especially if from a different country than mine. My email is overm0re@proton.me tho I can send the Steam acc in the comments if needed.

3. More friends on dreamwidth! I mainly post about my writing and site progress and at the beginning of the month fic roundup. Want to do more at some point too, so just having more people here is nice!

4. Fanworks for one of my otps, Gregor/Sinclair from Limbus Company. Art or fic. Some prompts are under the cut, but tldr I'm not too picky about them as long as nothing in my DNW is there.
Prompts )

5. Extra icon slots. I have one left right now but I wanna add more icons. Anything you really can do is enough for me

30 in 30: Star Wars Legends

Nov. 17th, 2025 06:38 pm
senmut: Grand Admiral Thrawn in repose (Star Wars: Thrawn)
[personal profile] senmut
AO3 Link | Not So Deadly Questioning (100 words) by Merfilly
Chapters: 1/1
Fandom: Star Wars Legends - All Media Types
Rating: General Audiences
Warnings: No Archive Warnings Apply
Characters: Thrawn | Mitth'raw'nuruodo, Gilad Pellaeon
Additional Tags: Drabble
Summary:

Everyone holds their breath when Pellaeon questions






The silence on the bridge spoke volumes to the terror they had Known. Pellaeon questioning orders had everyone running the roster, trying to determine how close to the danger they would move when the Grand Moff Admiral eliminated the officer.

"It is good that you question," were not words any of them expected. "There are intelligence points that are kept solely within my planning agenda," Thrawn continued. "I ask, Captain, that you trust in my grasp on these matters, given my survival and track record?"

Everyone relaxed slightly when Pellaeon agreed, wondering when Thrawn would kill him out of sight.
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Posted by Vincent Nguyen

Urban cargo transport has always meant compromise. You get capacity but lose agility, or you get maneuverability but sacrifice load capability. Cube’s Trike Flatbed Hybrid 750 eliminates that trade-off entirely with a tilting rear mechanism that keeps the front wheel responsive while the cargo platform stays stable. This isn’t just another cargo bike with a basket attached. It’s a purpose-built three-wheeler that handles like a regular bike despite carrying up to 60 kilograms of whatever your city life demands.

Designer: Cube

The design philosophy centers on one compelling idea: the flatbed as blank canvas. That open platform invites customization in ways traditional cargo bikes with fixed containers never could. Coffee cart entrepreneurs, mobile vendors, small business owners, and urban families all see something different when they look at that 60kg-capacity deck. Some see a pop-up retail space. Others see a week’s worth of groceries. The platform doesn’t dictate use cases. It adapts to them.

Tilting Technology That Preserves Natural Handling

Most three-wheeled cargo bikes feel exactly like what they are: vehicles optimized for stability at the expense of cornering agility. You turn the handlebars and the entire rig leans as one cumbersome unit, reminding you constantly that you’re piloting something fundamentally different from a bicycle.

The Flatbed Hybrid 750 solves this with rear tilting that decouples the cargo load from the front steering geometry. When you lean into a corner, the front wheel responds with the natural feedback and precision of a standard bike. The rear platform stays level, keeping your cargo stable while you maintain the intuitive handling that makes cycling feel effortless.

It’s the kind of mechanical solution that feels obvious once you experience it, yet took genuine engineering thought to implement correctly. The short wheelbase amplifies this advantage, giving you tight turning radius and city-friendly parking capability that larger cargo solutions simply can’t match.

Power System, Frame Construction, and Material Intelligence

Cube specified the Bosch Cargo Line motor with 85Nm of torque paired with a 750Wh PowerTube battery. This isn’t a standard e-bike motor adapted for cargo duty. It’s purpose-built for moving weight through city streets, up inclines, and across the stop-and-go rhythm of urban traffic.

The capacity handles extended routes or full workdays without range anxiety creeping in. The Bosch Kiox 300 display integrates cleanly into the cockpit, giving you ride data and battery status without visual clutter. LED remote keeps controls accessible without forcing your hands off the grips.

The frame uses aluminum Superlite construction to balance the competing demands of cargo capacity and manageable weight. At 65 kilograms for the complete bike, it’s substantial but not absurd. The maximum system weight reaches 220 kilograms, accounting for rider and cargo together. That’s real utility capacity without requiring forklift-grade construction.

Critical frame components use aluminum gravity casting, an advanced manufacturing process that ensures structural strength where it matters most while maintaining the clean lines that define modern industrial design. The Comfort Ride Geometry tunes frame angles and dimensions specifically for stability and rider comfort across long sessions or rough city surfaces. This isn’t aggressive sport geometry adapted for cargo use. It’s ground-up design for urban utility. The step-through frame accommodates riders from 1.60 meters to 1.90 meters (roughly 5’2″ to 6’2″), with adjustable stem and seat making one size genuinely fit most users.

Downtube storage adds practical capacity for tools, locks, or daily essentials without eating into your primary cargo platform. The optional front rack expands carrying capability further for riders who need maximum versatility. Every storage solution integrates cleanly rather than looking bolted on as an afterthought.

The entire system feels cohesive rather than assembled from disparate components, with charging happening via a 4A charger that balances speed with battery health for daily-use vehicles. The engineering reveals itself in small decisions that compound into a cohesive whole, from component selection through geometry tuning to accessory integration.

Suspension and Rolling Stock

The SR Suntour MOBIE 34 CARGO 24″ fork with 100mm of travel specifically targets cargo trike applications. City streets aren’t smooth test tracks. They’re pothole-riddled, uneven surfaces where suspension matters for rider comfort and cargo protection. The fork absorbs impacts that would otherwise transmit straight through a rigid setup, making long urban routes less punishing on your body and your cargo.

Wheel sizing splits between 24-inch front and 20-inch rear, optimizing for a low center of gravity that enhances stability while making loading and unloading easier. CUBE EX40 rims come tubeless-ready with robust spoke counts (36H front, 32H rear) designed to handle cargo loads without constant truing. Schwalbe Pick-Up Super Defense tires bring the durability and urban grip that cargo applications demand, resisting punctures and providing confident traction across varied city surfaces.

Modular Platform Philosophy and Component Integration

The Flatbed Hybrid 750 establishes modular urban mobility as a legitimate design language. That open platform invites iteration and customization in ways that closed cargo boxes actively prevent. A food truck operator sees space for a custom coffee cart build. A mobile repair business sees a rolling workbench. Families see grocery capacity and weekend adventure potential. Each vision works because the platform doesn’t impose a singular use case.

The swampgrey and reflex colorway keeps the aesthetic modern and understated, letting custom cargo solutions provide the visual personality rather than forcing the bike itself to shout for attention. It’s the industrial design equivalent of a well-designed neutral backdrop that makes everything you place on it look better.

ACID components throughout the finishing kit (grips, lights, mudguards, storage options) create an ecosystem of compatible accessories. You’re not hunting through third-party catalogs hoping for fitment compatibility. The system is designed to expand and adapt as needs change. Tektro Auriga Twin+ hydraulic disc brakes include a parking lock feature that adds crucial safety when stopped for loading, unloading, or temporary parking on inclines. All-weather reliability comes standard, recognizing that urban utility vehicles can’t take weather days off.

Enviolo Cargo shifters deliver stepless gear transitions designed specifically for loads, with no hunting for the right gear or worrying about shifting under torque. You adjust continuously as terrain and load demand, keeping power delivery smooth and intuitive. It’s the kind of component choice that reveals thoughtful system integration rather than spec-sheet box-checking. The entire drivetrain recognizes that cargo cycling demands different performance characteristics than recreational riding or commuting.

The step-through design removes the athletic barrier that traditional bike frames create. You don’t need to swing your leg over a high top tube while managing cargo or wearing work clothes. You step through, adjust the seat if needed, and go.

Universal Access for Shared Urban Futures

The adjustable geometry and intuitive controls make this genuinely shareable across families, businesses, or community programs. There’s no specialized training required. If you can ride a bike, you can ride this. The parking brake, integrated lights, bell, and mudguards handle the practical details that separate concept vehicles from daily-use tools. Cube positions this within their broader cargo ecosystem alongside Family Hybrid and Cargo Hybrid configurations, recognizing that urban mobility needs vary. The Flatbed version specifically targets the blank-canvas modularity that businesses and adaptable use cases require. It’s futureproofed not through tech features that will age, but through physical adaptability that responds to changing needs over years of use.

The Trike Flatbed Hybrid 750 proves that cargo capacity and bicycle agility aren’t mutually exclusive when you engineer the solution correctly. Tilting technology, modular design, and purpose-built components create a platform that adapts to urban life rather than forcing urban life to adapt to it.

The post The Cube Trike Flatbed Hybrid 750 Redefines Urban Cargo with Tilting Technology first appeared on Yanko Design.

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Posted by Srishti Mitra

Nestled in the peaceful Swedish countryside, Vagabond Haven’s Sofia tiny house proves that living small doesn’t mean sacrificing style or comfort. At just 172 square feet, this compact dwelling has captured the attention of the tiny house community for its clever use of space and its unrelenting connection to nature. The first thing you notice about Sofia is the windows. Large panoramic panes wrap around the interior, while a strategically placed roof skylight sits directly above the king-sized bed. This design choice transforms the sleeping area into a private observatory where residents can watch clouds drift by during the day and count stars at night. The bohemian chic interior complements this openness, creating an atmosphere that feels more like a cozy retreat than a tiny house.

Built on a double-axle trailer measuring 20 feet in length, Sofia maintains the mobility that makes tiny house living so appealing. The spruce construction keeps the weight manageable while providing the structural integrity needed for Scandinavian winters. Vagabond Haven designed this model specifically for year-round living in harsh Nordic conditions, ensuring robust insulation and high-quality materials throughout. The dimensions measure 6.1 meters in length, 2.55 meters in width, and 4 meters in height, creating a profile that’s road-legal yet surprisingly spacious once inside.

Designer: Vagabond Haven

The interior layout showcases thoughtful space planning. The elevated bedroom platform doubles as storage, with slide-out furniture tucked beneath that transforms the area from sleeping quarters to living space. A well-equipped kitchen lines one wall, featuring everything needed for daily cooking without feeling cramped. The living area adapts to different needs throughout the day, proving that 16 square meters can accommodate more activities than you’d expect. This transforming interior design has earned Sofia recognition for making such a compact footprint surprisingly livable for two people.

The bathroom deserves special mention for its wet-room design using Fibo Trespo panels. Buyers can choose between flush, composting, or Cinderella incinerating toilets, making the Sofia adaptable to various locations and lifestyles. The shower cabin offers either curtain or glass door options, while an energy-saving water heater keeps utility costs low. These choices reflect Vagabond Haven’s commitment to customization within their standardized models. A cupboard with washing basin and options for infrared or regular mirrors complete the bathroom setup, proving that compact spaces can still offer genuine comfort and flexibility.

What sets Sofia apart from other tiny houses in its size category is the attention to eco-friendly details. The company uses sustainable materials throughout construction and offers various off-grid solutions for those seeking complete independence. A rainwater harvesting system, a recuperator for ventilation, and options for solar power mean Sofia can sit comfortably in remote locations far from municipal services. The design philosophy behind Sofia recognizes that tiny house dwellers want genuine quality, not just miniaturized versions of conventional homes. Every cabinet, window placement, and storage solution serves multiple purposes. The result feels intentional rather than cramped, stylish rather than sparse.

For those interested in seeing Sofia firsthand, Vagabond Haven offers a 3D virtual tour on their website, allowing potential buyers to explore the space before making the journey to Sweden. Ready-built models can ship within two to four weeks when in stock, while custom orders take longer but allow buyers to select specific materials, colors, and finishes that match their vision. Sofia represents a sweet spot in the tiny house market: small enough to remain affordable and mobile, yet large enough to serve as a legitimate full-time home for couples or solo dwellers seeking connection with nature and freedom from excess.

The post This 172-Square-Foot Tiny House Transforms to Feel Surprisingly Spacious first appeared on Yanko Design.

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Posted by Ida Torres

You know that moment when you’re trying to deep clean your espresso machine and you’re juggling three different screwdrivers, a wrench, and some weird proprietary tool that came in the box five years ago? Well, Victorinox and La Marzocco apparently had the same frustration, because they just dropped a collaboration that feels like it was designed specifically for that chaotic kitchen drawer situation.

The Victorinox x La Marzocco Barista Tool is exactly what it sounds like: a Swiss Army knife that traded in some of its camping credentials for coffee shop clout. And honestly, it’s kind of brilliant. This isn’t just slapping a coffee brand logo on a classic multitool and calling it a day. It’s a genuinely thoughtful reimagining of what a pocket tool could be for the caffeine-obsessed among us.

Designers: Victorinox x La Marzocco

Let’s talk about what makes this thing special. Sure, it’s got your standard Swiss Army knife features, the ones we all know and love, like a blade, screwdrivers, and pliers. But then there are the coffee-specific additions that show someone actually thought about what home baristas need. There’s a thin spatula designed for scooping excess coffee grounds and cleaning the shower screen on your espresso machine. There’s a steam wand nozzle remover, which is one of those tools you never think about until you desperately need it at 7 a.m. when your milk won’t foam properly. And there are specialized screwdrivers sized for common espresso machine adjustments, because apparently not all screwdrivers are created equal when you’re tinkering with a $3,000 La Marzocco at home.

The tool comes in that iconic Swiss Army knife red with special La Marzocco badging, bridging Swiss precision engineering with Italian espresso heritage. It’s a collaboration that makes sense when you think about it. Both companies have cult followings among people who care deeply about craft and quality. Victorinox has been making reliable multitools since 1884, and La Marzocco has been the gold standard in espresso machines since 1927. Put them together and you get something that speaks to both the design nerd and the coffee snob.

Here’s what’s interesting about this release: it represents a growing trend of hyper-specialized everyday carry tools. We’re moving beyond the one-size-fits-all approach to gear. Rock climbers have their specific multitools, cyclists have theirs, and now home baristas have one too. It acknowledges that coffee culture has evolved from a casual morning routine to a legitimate hobby with its own maintenance requirements and technical know-how.

The Barista Tool includes 19 functions total, which sounds excessive until you realize how many tiny adjustments and cleaning tasks go into maintaining a home espresso setup. Anyone who’s owned a machine knows that regular maintenance isn’t optional if you want consistently good shots. This tool consolidates all those little tasks into one pocket-sized package. No more hunting for that one specific hex key or trying to MacGyver a solution with whatever’s in your junk drawer.

At $160, it’s definitely positioned as a premium accessory. That price point puts it firmly in enthusiast territory, the kind of thing serious home baristas might put on a wish list or gift to themselves after finally dialing in that perfect espresso recipe. It’s not trying to be a mass-market impulse buy. This is for people who already dropped serious money on their setup and want tools that match that level of investment.

What I find most compelling about this collaboration is how it reflects where design is heading. We’re seeing more crossover projects that merge different expertise areas to solve specific problems. It’s functional design at its best: identifying a real need, bringing together the right partners, and creating something that’s both practical and a little bit special. The Barista Tool isn’t revolutionary, but it doesn’t need to be. It’s just really good at doing exactly what it promises.

Whether you’ll actually use all 19 functions regularly is debatable, but that’s kind of the charm of any Swiss Army knife, isn’t it? It’s there when you need it, compact enough to stay out of the way when you don’t, and substantial enough to feel like a quality tool rather than a gimmick. For the home barista who has everything, this might just be the thing they didn’t know they needed.

The post Victorinox and La Marzocco Just Built a Swiss Army Knife for Coffee Obsessives first appeared on Yanko Design.

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Posted by Sarang Sheth

Viewed in isolation, the LF TT could easily be mistaken for a Rezvani sketch or a videogame boss vehicle: slab sides, armored arches, and a stance that looks ready to drive through a building rather than around it. Only when you start tracing the lines does the Lexus in it emerge, from the long, graceful roof arc to the layered surfacing that sits underneath all the blocky geometry.

That tension between brutality and refinement is the core of the project. It borrows the visual grammar of Cybertruck‑style faceting and Rezvani‑style intimidation, then overlays it with Lexus’ obsession with crafted surfaces and precise lighting graphics. The LF TT is not trying to be a practical pickup; it is trying to answer a different question entirely: what would a Lexus halo truck look like if it had to share a stage with the loudest, most extreme machines in the segment.

Designer: Theo Flament

The front end is a masterclass in this translation. Instead of a literal spindle grille, the design uses a deeply recessed trapezoidal cavity to house three powerful light modules, creating the same pinched-waist effect through negative space and shadow. Above this, a razor-thin DRL stretches across the fascia, an aggressive evolution of the light blades seen on the current RX and RZ models. The hood itself features sharp, origami-like creases radiating from the central emblem, another nod to the L-Finesse philosophy of creating dynamic surfaces that catch the light. It’s a clever reinterpretation, translating a familiar brand identity into a language of hard-edged, functionalist aggression without losing the original logic or hierarchy of the face.

The comparison to the Cybertruck is unavoidable, but the execution of the surfacing is fundamentally different. Where Tesla’s design suggests raw, folded stainless steel, the LF TT’s body panels feel more like layered armor plating over a muscular, sculpted core. The main surfaces have subtle bulges and are broken by deep, intersecting feature lines that create a sense of tension and complexity, a hallmark of the L-Finesse language, just sharpened to a knife’s edge. Capping it all is a sleek, coupe-like glasshouse with a continuous arc from the A-pillar to the tail. This silhouette is much closer to a performance GT like the Lexus LC than any utility vehicle, reinforcing its road-biased, high-performance mission.

This theme of reinterpreted signatures continues at the rear. The full-width light bar, now a staple for Lexus, is rendered as a series of tightly packed vertical fins, adding a level of detail and precision that feels more like a high-end watch than a simple taillight. This intricate detail work reinforces the LF TT’s true purpose. It’s not a workhorse. The short rear overhang, fastback profile, and massive, stylized wheels on low-profile tires clearly position it as a high-performance halo product. It’s a rally-raid supercar for the road, a kind of “LF-A of trucks” meant to showcase technological prowess and design confidence rather than payload capacity or pure off-road practicality. It’s a statement piece, designed for presence above all else.

The post This Armored Lexus Concept Borrows From Cybertruck and Rezvani, But Stays Premium first appeared on Yanko Design.

Climate Change

Nov. 17th, 2025 04:44 pm
ysabetwordsmith: Cartoon of me in Wordsmith persona (Default)
[personal profile] ysabetwordsmith
Satellite images reveal the fastest Antarctic glacier retreat ever

Hektoria Glacier’s sudden eight-kilometer collapse stunned scientists, marking the fastest modern ice retreat ever recorded in Antarctica. Its flat, below-sea-level ice plain allowed huge slabs of ice to detach rapidly once retreat began. Seismic activity confirmed this wasn’t just floating ice but grounded mass contributing to sea level rise. The event raises alarms that other fragile glaciers may be poised for similar, faster-than-expected collapses.


Just because something is big, doesn't necessarily mean it's always slow. Climate change can move blindingly fast.

If I were there, I'd be crawling over that exposed plain searching for signs of life.  Antarctica is waking up.

Progression Ahoy!

Nov. 17th, 2025 08:23 pm
glinda: a white cup with a cinnmon stick and a slice of orange floating in chai, sitting on a table, a big green leaf in the background (cinnamon)
[personal profile] glinda
7971 / 10000 (79.71%)


I held off on making this post until today, as it’s my last day of annual leave, so the last day of my dedicated writing time. Writing has been going well, I’ve now written as many words as I had by the end of the year last year so I’m officially caught up. As I started November 6000 words ahead of where I was last year, I’m hoping to maintain that, ideally I’d like to be able to say I wrote 10,000 more words this year than last but we’ll call that a stretch goal! (The return of my fic writing ability/motivation means that I’m hopeful that I’ll be able to spend December writing a bunch of treats and pinch hits, thereby getting a decent word count for the final month.) An interesting thing about this year’s writing is that it hasn’t consumed everything else. For a start, I’ve finished the non-fiction book I was reading this month, and I’ve started another.

My other personal target for this month was that I wanted to finish the little crochet crab that I’m making. It’s the first proper amigurumi that I’ve tackled so getting it successfully finished will tick a bunch of boxes. It goes in fits and starts because I keep having to take it to my knitting group to get help. (Being a very beginner crocheter and working between UK and US instructions can be complicated - I was taught by someone who uses US terms, one of the ladies at knitting uses UK terms and the other is Dutch!) So I have finished the body and a leg, and I’ve made half a claw but now I’m stuck until I can get to knitting and have someone show me what’s meant by ‘turn’ in this context. I have, however, found a good video for doing magic circle so hopefully by the time I finish the legs - there’s eight - I’ll have that down pat. I’m travelling for work this week, so I’m hoping to get the rest of the legs and both eyes done while I’m away. That way I can ask about both the claw and the eyestalks while I’m there and get both sorted out. It’s fun looking at the progress that I’ve made on it, I’m quite pleased with the stitch texture I’m getting now, and I’m pleased to have mastered decreasing but already I can see where I’ve improved and got better. Like, I’m having moments of realising ‘oh that’s why keeping the stitch count right was so hard’ and ‘oh that was silly, of course I should do it this way instead’. (I did, as predicted end up breaking the flismy little plastic hook that came with the kit - my tension is tight! - but actually now that I’ve dug out a metal hook of the correct size I feel that I’m getting on better, I don’t know if it’s just that I was worrying about snapping the old one, or if it’s actually easier with a hook of a different material.) I’ve been zooming through my podcast backlog while I’ve been working on the crab, which has also been quite satisfying.

At the start of last week I kind of felt that I wasn’t making much progress on many things I wanted to have done this week, but looking back on it, I think I’ve done everything I needed to do. There's definitely more things I wanted/intended to do but the time critical stuff - things that needed ordered and bought by deadline, stuff that was expiring both food and digital stuff have been dealt with - has been done, I've added a bunch of lights to places in the unending fight against the lack of light. I got some more cute decorative lights, fairy lights and a snow globe style one. Also while i was tidying out other things, I found some stick on press lights that my dad gave me ages ago and had no idea what I'd do with them, and it dawn on me they'd be ideal for the meter cupboard so now the cupboard with the fuse box and the electric meter and the cupboard where the gas meter lives have little press lights so I don't have to juggle my phone's flashlight when I'm trying to send my meter readings.

I didn’t get my curtains dry cleaned in the end because when I took them in to the dry cleaners, they were like ‘oh no’ because they’re both thermal lined and from Dunelm and apparently they’ve had a run of those where there’s something wrong with the thermal lining, so they stick together in the machine and the lining shreds when you try to separate them again. (Sometimes they’re fine, but they’re not often that they’ve got a special report and letter they give people to get their money back/replacement curtains from Dunelm.) The dry cleaning lady recommended - as mine were dusty rather than actually grubby, I vacuumed them when I took them down - hanging the outside on a nice dry breezy day and giving them a febreeze! I even got my good sewing shears sharpened - now if I could just find my chalk I could get to work on shortening those curtains. Though I do now have...concerns about ironing the new seams...

[ SECRET POST #6891 ]

Nov. 17th, 2025 05:06 pm
case: (Default)
[personal profile] case posting in [community profile] fandomsecrets

⌈ Secret Post #6891 ⌋

Warning: Some secrets are NOT worksafe and may contain SPOILERS.


01.



More! )


Notes:

Secrets Left to Post: 01 pages, 24 secrets from Secret Submission Post #984.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.
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Posted by Vincent Nguyen

Huawei just confirmed November 25 as the official launch date for its Mate 80 series, and the company isn’t holding back. Four distinct models, each with its own camera architecture and design identity. The standout? A flagship variant packing 20GB of RAM and an octagon-shaped camera module that breaks from the circular designs dominating the smartphone industry.

Designer: Huawei

This is Huawei’s play for design differentiation in a market where most flagship phones look nearly identical from the back. The Mate 80 lineup spans from the accessible base model through to the RS Ultimate Design, a halo product that signals where Huawei sees premium smartphone design heading.

Four Models, Four Design Approaches

The Mate 80 and Mate 80 Pro share a circular rear camera module housing three sensors, including a periscope telephoto lens. Both phones feature dual front cameras with 3D face unlock technology. It’s a refined, approachable design that builds on Huawei’s established camera bump aesthetic.

The Mate 80 Pro Max steps up with a quad-camera system that includes dual periscope telephoto lenses. That’s two dedicated telephoto sensors for optical zoom flexibility, a configuration that gives photographers multiple focal length options without digital cropping. Dual front cameras maintain consistency across the upper-tier models.

Then there’s the Mate 80 RS Ultimate Design. The octagon-shaped camera module is the immediate visual differentiator, a geometric departure that catches attention without feeling gimmicky. It houses four rear sensors and pairs with dual front cameras, but the design statement is what matters here. Huawei is using the RS Ultimate to establish a distinct visual identity for its most premium offering.

Color Palettes Reflect Market Positioning

Huawei assigned different color families to each tier, reinforcing the hierarchy through material and finish choices.

The Mate 80 and Mate 80 Pro come in Dawn Gold, Obsidian Black, Snowy White, and Spruce Green. These are accessible, versatile colorways that work across different user preferences without pushing too far into statement territory.

The Mate 80 Pro Max gets Polar Night Black, Polar Silver, Polar Day Gold, and Aurora Blue. The naming convention evokes extreme environments and natural phenomena, positioning this model as the performance flagship with colors that suggest technical capability.

The RS Ultimate Design narrows to three options: Dark Black, Pure White, and Hibiscus. That last color, Hibiscus, has generated notable attention in early discussions. It’s a bold, design-forward choice that signals this phone is as much about aesthetic expression as technical specifications.

RAM Leadership: 20GB in the RS Ultimate Design

The Mate 80 RS Ultimate Design ships with 20GB of RAM paired with either 512GB or 1TB of storage. That’s the highest RAM configuration in the entire lineup, positioning this model for users running multiple resource-intensive applications simultaneously or future-proofing for increasingly demanding mobile workflows.

The base Mate 80 and Mate 80 Pro offer 12GB/256GB, 12GB/512GB, and 16GB/512GB configurations, with the Pro adding a 16GB/1TB option. The Mate 80 Pro Max comes in 16GB/512GB and 16GB/1TB variants. Huawei structured the RAM progression to create clear performance tiers across the lineup.

Launch Strategy: Pre-Orders and Dual Flagship Debut

Huawei opened pre-orders through its Vmall online store ahead of the November 25 launch event. The company is simultaneously unveiling the Mate X7 foldable, positioning the launch as a comprehensive showcase of its flagship smartphone strategy rather than focusing solely on the traditional slab phone format.

The dual launch suggests Huawei sees both form factors as equally important to its premium positioning. The Mate 80 series represents refinement and camera innovation within the established smartphone template, while the Mate X7 addresses users prioritizing screen real estate and multitasking flexibility.

What This Means for the Flagship Race

The Mate 80 lineup shows Huawei using design variation to create meaningful differentiation within a single product family. Most manufacturers rely primarily on camera count and technical specifications to separate models. Huawei added visual language shifts, particularly with the RS Ultimate’s octagon module, to make the hierarchy immediately apparent.

The dual periscope telephoto system in the Pro Max addresses a real pain point for mobile photographers: the gap between primary wide and telephoto focal lengths. Two periscope lenses allow for more granular zoom options and better image quality across the telephoto range.

Whether these design choices translate into market success remains to be seen when the phones launch November 25. But Huawei is clearly betting that distinctive design, aggressive RAM configurations, and advanced camera architectures can carve out space in the competitive flagship smartphone market.

The post Huawei Mate 80 Series: Design Language Evolution and the 20GB RAM Flagship first appeared on Yanko Design.

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Posted by Ida Torres

You know that feeling when you walk into a coffee shop on a rainy day and have to awkwardly lean your dripping umbrella against the wall, hoping it won’t slide down and crash onto the floor? Or when you get home and realize you’ve been propping your umbrella in the same dusty corner for years because, well, what else are you supposed to do with it? We’ve all been there. And honestly, it’s kind of ridiculous that in 2025, we’re still treating umbrellas like they’re design afterthoughts.

That’s exactly the question that sparked Standpoint, a brilliantly simple solution to a problem we didn’t realize was bothering us. What if your umbrella could just stand on its own? Not leaning, not tucked away, not shoved into some clunky umbrella stand, but actually standing there with a bit of confidence and personality.

Designer: Edwin Tan

Standpoint is a small 3D-printed resin attachment that clips onto the bottom of your umbrella, transforming it from a functional rain shield into something that can hold its own ground, literally and figuratively. It’s one of those designs that makes you wonder why no one thought of it sooner, the kind of idea that feels so obvious once you see it but required someone to actually stop and question the status quo.

The beauty of Standpoint lies in its understated approach. This isn’t some bulky contraption or overwrought design statement. It’s a gentle, minimal base that complements rather than competes with your umbrella. Each base features a soft color gradient that transitions from darker to lighter tones, creating a subtle visual flow that enhances the umbrella’s form without screaming for attention. You get to choose from different base variations, each with its own personality. Some are organic and flowing with petal-like loops, others are more geometric and structured. It’s like picking out jewelry for your umbrella, a small detail that adds unexpected character.

What makes this design particularly smart is how it taps into a bigger conversation happening in the design world right now. There’s this growing movement toward reimagining everyday objects, questioning why things have always been done a certain way, and finding opportunities for improvement in the most mundane corners of our lives. Standpoint fits perfectly into this philosophy. It’s not trying to reinvent the umbrella itself. Instead, it’s asking how we can make an existing object more self-sufficient and expressive in our spaces.

The use of 3D-printed resin is also worth noting. This technology has opened up possibilities for creating small-batch, customizable accessories that would have been prohibitively expensive to manufacture traditionally. You can have multiple bases in different colors and styles, swapping them out based on your mood or aesthetic. It’s the kind of personalization that feels very now, very in tune with how we think about our belongings as extensions of our personal style.

But beyond the practical benefits and the aesthetic appeal, there’s something quietly radical about Standpoint. It celebrates the idea of objects having dignity and presence in our spaces. Your umbrella doesn’t need to hide or apologize for existing. It can stand tall (pun intended) and become part of your interior landscape. In an era where we’re constantly trying to minimize and hide away the functional stuff of daily life, Standpoint takes the opposite approach. It says, let’s make these everyday tools beautiful enough to be visible. The gradient colors, ranging from soft blues and greens to warm corals and neutrals, are clearly influenced by contemporary design trends but feel timeless rather than trendy. They’re sophisticated enough for minimalist interiors but playful enough to bring a smile to your face on a dreary morning when you’re grabbing your umbrella on the way out.

Ultimately, Standpoint is about more than just keeping your umbrella upright. It’s about recognizing that thoughtful design can transform even the smallest moments of our daily routines. It’s a reminder that we don’t have to accept things as they’ve always been, and that sometimes the most delightful innovations come from asking the simplest questions. Your umbrella deserves better than being shoved in a corner. Let it stand proud.

The post The Tiny Accessory That Gives Your Umbrella Main Character Energy first appeared on Yanko Design.

Happy Holidays!

Nov. 17th, 2025 10:18 am
queenslayerbee: Isabelle Adjany as Lucy Harker in 1979's "Nosferatu the Vampire". She's surrounded by darkness, looking over her shoulder while she wears a white nightgown and a cross as a necklace. A hand with long nails like a claw is reaching for her neck from the darkness behind her. (Default)
[personal profile] queenslayerbee posting in [community profile] holiday_wishes

Hello! It's my first time participating in this event, and I have only a few requests ^-^

1. I would love to get anything inspired by my own fics. This can be fanart, covers/picspams... Or the reverse, with a few not-fics I have on ao3 (under the "Embedded Images" tag), or with short-form fics such as drabbles, double d that could instead inspire some writing. Things like remixes, podfics, translations, continuations... you name it, it's all welcome.

2. Putting more femslash into the world is always a net positive, so I'd love to get some f/f fic! I'd especially love some heroine/antagonist stuff.

  • Some ships I'd love to receive gifts of: Rosita/Waverly (Wynonna Earp), Aurora/Maleficent (any version), Carmilla/Laura (original novel), Eleanor/Max (Black Sails), Buffy/Faith, Maika/Tuya (Monstress), Echo/Raven (The 100), Cersei/Sansa, Selina/Stephanie (DC comics, pre-reboot).
  • Some tropes or themes I enjoy: amnesia, angst, time travel/loop, unusual forms of fics (epistolary, outsider POV, etc.), heists and escapes, lovers to enemies, explorations of mourning, mind control, abuse aftermath, humour/dark humour, exes-to-lovers (or just exes), hurt/comfort, secrets being uncovered, roleplaying, primal kink, bittersweet endings, bloodsharing.
  • DNWs: non-con; omegaverse and similar AUs (i.e. biologically assigned D/s roles); watersports/scat, gender swaps, non-canon pregnancies, overt fluff and "cozy" stories or slice of life, modern/no capes/mundane AUs, soulmate AUs, focus on romance that isn't F/F.

3. On that same spirit, what about some lesbian recs? Both romantic/shippy or not. These can go from fanworks, to novels (adult lit, please), non-fiction books, films... Tell me your favourite stories about wlw. Here the "not overt fluff and cozy stories or slice of life" applies, too.


Thank you for your time, and I hope you have a good time these holidays!

👑⚔️🐝

Happy Holidays!

Nov. 17th, 2025 12:49 pm
spikedluv: (summer: sunflowers by candi)
[personal profile] spikedluv posting in [community profile] holiday_wishes
Hello and Happy Holidays! Thank you for taking a moment to check out my wishes.

1. Fic Recs: 9-1-1 (Buck/Eddie; inclusion of Chris, Bobby, Maddie, etc welcome); Hawkeye (tv) (Kate & or / Yelena; inclusion of Clint and/or Lucky welcome); Kevin Can F**k Himself (Allison & or / Patty); MCU (Clint/Coulson, Steve/Bucky); Murder, She Wrote (tv) (Jessica-centric; fun crossovers welcomed); Nancy Drew (tv) (Carson/Ryan); NCIS (Tony-centric, no Tony/Ziva or Tony/Kate please; crossovers fine); Primeval (Nick/Stephen); SGA (John/Rodney); Teen Wolf (Derek/Stiles, Peter/Chris); Terminator (Genisys or Dark Fate; Sarah-centric) or any other fandom you know I read in.

2. Book Recs: I love fantasy, mysteries (cozy or otherwise) and M/M romance. Here are some of authors I’ve read in the past year: Ben Aaronovitch (Rivers of London); KJ Charles (various); Deborah Crombie (Duncan Kincaid series); C.S. Harris (Sebastian St. Cyr Mysteries); Miranda James (Cat in the Stacks Mysteries); Elizabeth Peters (Amelia Peabody series); J.D. Robb (In Death series); David Rosenfelt (Andy Carpenter series); and Martha Wells (Murderbot Diaries). (Don't be afraid to rec things by these authors, as well, as I have probably not read everything by them!)

3. Comments on my fic. (AO3). (Especially in my small fandoms.)

4. Transformative works for my fic. (AO3). (Happy to choose something if that's easier for you.)

5. Charitable Donations! To any organization you'd like, but here are some ideas: your local NPR station or the ACLU; Spina Bifida Association (in honor of Baby A (now Toddler A *g*)) or the American Cancer Society (several women in my life have had to deal with breast or uterine (and now pancreatic) cancer) or Planned Parenthood (or other organization that assists women who need healthcare); or your local animal shelter.

Birdfeeding

Nov. 17th, 2025 01:50 pm
ysabetwordsmith: Cartoon of me in Wordsmith persona (Default)
[personal profile] ysabetwordsmith
Today is partly sunny and cool.

I fed the birds.  I've seen a large flock of sparrows.

I put out water for the birds.

EDIT 11/17/25 -- I trimmed brush along the south edge of the house.

EDIT 11/17/25 -- We cleared the rest of the brush from in front of the garage.

EDIT 11/17/25 -- I did a bit of work around the patio.

EDIT 11/17/25 -- I did more work around the patio.

EDIT 11/17/25 -- I did more work around the patio.

As it is getting dark, I am done for the night.
[syndicated profile] askamanager_feed

Posted by Ask a Manager

A reader writes:

I work for a local government office that is being affected by the federal chaos. We currently have a hiring freeze and expect to lose several key positions when Congress finally passes a budget. Best case scenario is that the dozen or so positions we have open will be eliminated. Worst case is that one of our largest departments will be shuttered and another will be severely downsized. My team is not federally funded but is taking on a lot of the work previously done by the vacant positions.

My grandboss, who came to us from the private sector just this year, feels bad that he can’t give us raises or bonuses to reward us for all the extra work we’re doing. He wants to start personally Venmo’ing us an extra couple hundred dollars each month. While I appreciate the gesture, this feels inappropriate to me. At the same time, I really could use the money — my partner and I have been doing a lot of gig work on the side to help pay down our debt. Is there anything legally wrong with accepting this money? Could it come back to bite me in some way?

Yeah, it’s not really appropriate — but that’s more on your grandboss than you. If it’s going to cause problems, those problems much more likely to be for him than for you. In general, employers don’t want managers paying people from their own personal money, even if they want to, for a whole bunch of reasons: (1) it removes their ability to guard against things like illegal discrimination (for example, if he were paying you extra but not someone doing similar work who was a different race, sex, or religion), (2) it creates weird issues of loyalty toward the manager over the employer (and creates potential conflicts down the road if there are issues with the manager you should report but hesitate to because he was so generous with you, or if it creates pressure for favors he shouldn’t be asking for), (3) the manager shouldn’t be using personal funds to alter the employer’s resource allocation decisions (and it masks the true cost of having that work done / retaining people, although that’s murkier given the current situation with government work than it is elsewhere), and (4) it has tax implications for everyone if they want to do it legally.

A good litmus test: would he feel you need to hide it from higher-level management? If so, that’s a sign it’s a problem.

That said, on your end of things, the only legal issue is a tax one; the money should be reported and taxes withheld, and it likely won’t be. (That’s required even though it’s a “gift” from him; it’s still money you’re being paid for doing your job.) In theory, that could come up at some point, although it probably won’t. Still, it would be smart to set aside some of the money for taxes. Also, you should look at your ethics policy, which might explicitly prohibit accepting it.

Beyond that … it’s really up to you if you feel comfortable with it. It’s easy to say “don’t accept it,” but I think most people would understand why you might choose to.

The post my boss wants to add to our paychecks with his personal money appeared first on Ask a Manager.

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